It’s Out! Christopher Bucklow's New Documentary Film, The Guests
Opening credits from The Guests film, directed by Christopher Thomas
Elliott Gallery is thrilled to announce the release of Christopher Bucklow’s much anticipated, new documentary film, The Guests, directed by Christopher Thomas.
Following the success of Inside the Vault, Christopher Thomas’ and Christopher Bucklow’s previous film, the pair continues their collaboration on a new film, centred around the Artist's iconic photographic prints, The Guests.
In this captivating film Christopher Bucklow guides us through the inspiration and creation of the pinhole photographs of his Guests series, offering a deep dive into his artistic vision, creative process, and more!
It’s out!
Watch the film in 4K on Youtube:
Tetrarch, 1.29pm 14th October 2012 by Christopher Bucklow
Christopher Bucklow
Somerset-based British Photographer, Christopher Bucklow (b.1957) pushes the boundaries of his medium to explore nature, process, and the human form.
Bucklows’ approach to his subject matter is multi-layered: utilising photography, drawing and video as the need arises. In their simplicity and directness, his photographic techniques are more akin to that of the pioneers of the exploratory processes of the 19th century than to more conventional and contemporary practices, incorporating elements of astronomy, chemistry and alchemy. This can be seen, for example, in the exquisite and unique pinhole, life-size colour portraits of his ongoing Guest and Tetrarch series.
As a part of the “camera-less” photographic movement in the U.K., Bucklow's ongoing “Guest” series (1993-) uses pinhole camera techniques to create large-scale photograms of human figures.
The complex process begins with projecting silhouettes onto aluminum foil and tracing them with thousands of small pinholes. He then uses the foil as his lens, placing the foil over a sheet of photographic paper and exposes it to sunlight, the various qualities of light on a given day yielding different colours and shades in the projected image.
Bucklow’s photographs are produced using an extremely large multiple-aperture pinhole camera to achieve a galaxy of images of the sun – a ‘solar body’ – in a life-size portrait. Both the Guest and the Tetrarch series are intended to be viewed as a collective self-portrait, portraying a group of individuals, spiritual friends and foes, whose combined characters reflect a multi-faceted image of Bucklow himself. The subjects in these works are portraits of Bucklow’s own interior in which he explains the importance of the selection of his subjects:
“It’s like a cast of characters in a film. I think I was casting for my ‘film’ even before I knew that I was about to launch out on a narrative.”